Beautifully engraved certificate from the Sotheby Parke Bernet Group p.l.c. issued in 1977 and 1983. This pen cancelled historic document is over 18 years old. On March 11, 1744, Samuel Baker, founder of Sotheby's, held the first-ever sale under his own name. The library of a certain Rt. Hon. Sir John Stanley, Bart. described as "containing several Hundred scarce and valuable books in all branches of Polite Literature" sold for a few hundred pounds. Well over two centuries later, on December 6, 1983, Sotheby's sold a single book, The Gospels of Henry the Lion, for more than 8 million pounds. Since those early days, it is not just prices that have grown considerably. So too have the scope and scale of Sotheby's itself. Samuel Baker would hardly recognize his old firm, were he to take a stroll down London's present day New Bond Street - or, for that matter, down Manhattan's York Avenue. It has only been in the last century, after all, that the original London company has expanded from book auctions to cover all areas of the fine and decorative arts. This great expansion means that Sotheby's is not just one of the oldest fine art auctioneers in the world, but also now the largest. There are more than 100 Sotheby's offices around the world; and, in 1998, auction sales produced a turnover of just under $2 billion. Modest though Samuel Baker's first sale might seem today, he was not without connections - or ambitions. Indeed, he and his successors were to handle, with great panache and showmanship, many of the great libraries sold at auction. On Napoleon's death, the books the French Emperor had taken with him into exile on St. Helena were sent to Sotheby's for sale. Additionally, libraries from Prince Talleyrand, John Willkes, Benjamin Heywood Bright, the Marquis of Lansdowne, and the Dukes of Devonshire and Buckingham were all sold through Samuel Baker's auctions. When Baker died in 1778, his estate was divided between his partner at the time, George Leigh, and his nephew, John Sotheby. For the next 80 years, the Sotheby family dominated the firm and extended its role into such related areas as prints, medals and coins. By the end of the First World War, the firm had so successfully expanded its role in the art market that new premises were required. In 1917, Sotheby's moved from its Wellington Street location to its famous New Bond Street salesroom, which has remained its London base ever since. Arrival in fashionable New Bond Street also heralded a new era during which the turnover for paintings and other works of art finally began to outstrip books and literary property. This move towards a wider sales arena was a very deliberate one, and the charge was led in the area of Old Master Paintings and Drawings. This diversification effort paved the way for the explosive growth of the firm under the leadership of Peter Wilson. Wilson, who joined the firm in 1936, took Sotheby's onto the global stage. He ensured the firm's readiness to capitalize on the meteoric rise in popularity of Impressionist and Modern paintings. Perhaps the single most sensational and ultimately influential sale during Wilson's tenure was the famous Goldschmidt sale of 1958. The Goldschmidt collection comprised seven of the most exquisite Impressionist and Modern paintings ever to come to auction. An evening auction was decided upon - the first at Sotheby's since the 18th century - and those attending were to wear evening dress. Fourteen hundred did attend; including Somerset Maugham, Anthony Quinn, Kirk Douglas, and Lady Churchill as well as hundreds of art dealers from all over the world. The seven pictures were all sold in just 21 minutes. They fetched £781,000, the highest total ever reached at that time at a fine art sale. Cézanne's Garçon au Gilet Rouge was sold to Paul Mellon for £220,000, more than five times the previous record for a painting at auction. It was one of the social highlights of the year, and possibly the most exciting art auction of the century. Largely thanks to the vision of Peter Wilson, Sotheby's recognized long before its rivals that art was becoming an international market. It was because of this that the company opened an office in New York in 1955; and, more importantly, acquired Parke-Bernet in 1964. Parke-Bernet was the United State's largest fine art auction house, and following its acquisition by Sotheby's, became crucially involved in the rapidly developing North American market for Impressionist and Modern paintings. Parke-Bernet, and its President Louis Marion, had a distinguished history of selling major collections at record prices. The most dramatic moment for the firm came in 1961, when Marion oversaw the sale of Rembrandt's Aristotle Contemplating the Bust of Homer to The Metropolitan Museum of Art for a record $2,300,000. That record stood for 18 years, until it was broken in a Sotheby's sale by another Marion - his son John, who later became the firm's Chairman. With the greatest American auction house now a part of Sotheby's, the company looked elsewhere for further opportunities. In 1967, offices opened in Paris, Los Angeles and Houston. In 1968 it was Melbourne, Florence and Toronto. In 1969, Zurich, Munich and Edinburgh joined the list. Expansion continued throughout the 1970s, with offices opening across much of Europe, a provincial network in Britain, offices in Asia as well as numerous new addresses across the United States. Along with many other businesses at the time, Sotheby's chose this period of rapid growth to "go public." The share issue in 1977 was oversubscribed 26 times, and within 18 months the vale of a share had more than doubled. The early 1980s, a period of market and corporate uncertainty, was followed in 1983 by the acquisition of Sotheby's by businessman A. Alfred Taubman and a small group of investors. Led by Michael Ainslie, Sotheby's once again became a private company. At the same time, the art market was revitalized by several important sales that set the stage for the series of auctions at Sotheby's which have entered the history books for their drama, their prices and for the way they captured the public's imagination. One of the most stunning auctions, held on the shores of Lake Geneva in 1987, was the sale of the jewels of the Duchess of Windsor. In an intensely competitive environment, bids via satellite from New York vied with bids from a celebrity audience and from phone buyers around the world. Over $50,000,000 was raised during the course of the sale - more than five times Sotheby's highest expectations. Anything seemed possible in the late 1980s. In 1989, for example, the firm sold Impressionist and Modern art totaling a staggering $1.1 billion in New York and London. Indeed, by the end of the decade, prices had risen to such levels that auctions attracted global media attention on an unprecedented scale. With these successes in hand, the company went public for the second time in 1988. As the 1990s began, the all-embracing chill of a global recession made its mark on the art market just as emphatically as it did on so many other markets. With the perspective that 250 years of history provides, though, Sotheby's has learned to manage these art cycles and has seen recovery follow recession a number of times. In fact, Sotheby's has grown considerably in this most recent decade. Both of the firm's main locations, London and New York, have undergone extensive expansions and renovations in the latter half of this decade. In London, the extensively renovated Grosvenor Galleries, formerly known as The Aeolian Hall, now house the entire London Collectors division, thus creating a new European center for expertise in collectors fields, and two gallery spaces from which to preview and conduct the division's ambitious sales program. Sotheby's New York is also undergoing an exciting construction project that will provide six additional floors (more than two times our current space at York Avenue), consolidate all New York office and warehouse locations under one roof and provide every specialist department with its own exhibition space. All architectural and design plans for the new Sotheby's building were specifically developed to address the needs of our clients. The finished result will be a dynamic new model for our business. On January 11, 2000 Sotheby's took a historic step when it became the first international art auction house to hold auctions on the Internet. Since launch, Sothebys.com has been the platform for record-setting Internet sales, and remains the Internet's premier auction site for high-end art, antiques, jewelry and collectibles. While Samuel Baker and John Sotheby would no doubt be bemused by some recent sales - Russian space capsules, a Tyrannosaurus Rex fossil, a piece of 60-year-old wedding cake - there is no doubt that they would admire the firm's continuing determination to be at the forefront of the auction world for the next 258 years. History is from Sotheby's Marketing Information